Living Arrows

"I never knew when I would fall through the trapdoor "

The wintry darkness has passed and my skateboard adventures in Brooklyn are underway. I didn’t have to skate too far to find what is arguably the most fascinating structure in Greenpoint- a 1903 erected public bath. I initially had a jejune response to its interior- a windowless workshop- but after chatting with the proprietor, Luis, I was absorb by the entire scene.

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The number of public bathhouses in Brooklyn once crested at five. They were reportedly a solution to a public health need in overcrowded cities. I’m not a fan of public bathing facitilies, but I definitely love limestone columns. The baths were all closed by 1960 and auctioned off. Luis bought the Huron Street bath twenty years ago and uses it as a workshop to make picture frames while renting the upstairs to two artists. When I left him a note in the mailbox slit of his door asking to tour the structure, I imagined it would be teeming with flowers and fountains. I was amused to walk into his office, surrounded by 22 carat gold picture frames, walls of wooden blocks, and a miasma of dust.
 
We happily conversed in a desultory fashion about art appreciation, immigration, Colombian food, Guyana, health, money, and rent. The wintry darkness has passed.
 
 

Only the everyday raconteurs at The Moth StorySLAM could present a soporific story about fibbing and translate that into “I tell lies because there was no communication in my childhood home.” Last night my brain was a bit addled by lack of sleep, but my attraction to storytelling never seems to pall. 

It’s a powerful image: full access to the written word from a room covered in book pages. The installation, Pablo Lehmann’s “The Scribe’s House”, aptly complements a Saul Williams’ quote I read a few years ago- only through new words might new worlds be called into order.

I often write motivational pablum on paper and tape it to my walls. Presently, one of the papers reads “Be Aleeka.” and it serves as a daily reminder to relax. I like Lehmann’s idea of covering a room with the pages of discarded books, creating a flow of words that can’t be read or assembled into sentences. It’s as if he created a tactile language for the imaginary boarder. Imagine if instead of tombstones, mausoleums were just covered in all the books we’ve read? That would be a better reflection of me than any eulogy could afford.

The most fascinating thing about books is that your opinions on characters change as you age. Characters you once thought were evil, can surprisingly be deemed … lost. Like a milquetoast soldier approaching a battleground, I walked towards “The Scribe’s House” knowing that what I felt about books would change once I saw Pablo’s new world. 

The “Scribe’s House” is available for free viewing at Anthropologie on 50 Rockefeller Plaza. 

CLICKtivism- To help modern society, we have to use the tools of the present.

Even a man who lives in complete social isolation and cherishes a solipsistic view on life would dare not deny the definite evidence of technology’s distinctive effect on modern communication. Social media and mobile apps are, by their own reckoning, a way for new communities to address old problems in new ways. 

During a recent trip to visit my family in South America, I couldn’t help but marvel at my cousins who were signing onto Facebook as I remembered how difficult it was for me to shower that morning. (We ran out of water and someone had to fetch more water from the lake.) It was a priority for me to have a decent shower. It was my cousins’ priority to “friend” me. Technology’s redoubtable and addictive properties will sometimes challenge our priorities but, above all, it truly is a great tool for “finding the others”. 

It’s not really about connecting with friends or for braggadocios to post attractive pictures of themselves, it’s for crowd sourcing solutions. Young Kenyans were pioneering the use of text messaging to monitor political conflict in 2010. There are now mobile apps for blood sample analysis, even though women in developing countries are 21% less likely than men to own a mobile phone. Can social media help us move toward democratization?

This past weekend’s Social Good Summit presented and parsed topics and questions like the one above. There were also summits in several other countries and attendees were shown videos of other meetups in Greece, New Zealand, Montenegro, Egypt, and Myanmar. We learned about concepts like Shared Value, innovative websites like ShoutAbout, and new mobile app challenges. It was a summit that marketed humanitarian organizations as we concurrently learned how terrible humanitarians are at marketing.  

The speakers at SGS truly distilled the values of corporations and NGOs who are coming together for social impact: 

Todd Park, Chief Technology Officer of the United States, described his work in the White House as being an incubator of initiatives, not companies. He talked about the Open Data Initiative. He focuses on open innovation and the desire to make new data available and unavailable data usable/downloadable. He reminded us that Government’s decision to make the global positioning system freely available is what fueled private sector innovations like navigation systems (GPS). 

I enjoyed the thoughts of Larry Irving, Co-founder of Mobile Alliance for Global Good. He discussed being connected with a purpose and recited this rarely publicized quote by MLK Jr. - “A great revolution is taking place in the world today…a technological revolution, with the impact of automation and cybernation…yes, we do live in a period where changes are taking place.”

Another highlight was Dr. Hans Rosling’s lecture. If you’ve also watched his TED talks, then you can imagine how excited I was to see him live. He reminded us not to think of developing countries as one place. There are so many different levels of development. 

He also had a very impressive pointer.

Deepak Chopra mesmerized the room when he told us that social networks are an extension of our mind. He advised us to create dynamic networks that self-organize themselves. 

Here are a few more quotes from more notables, followed by my favorite tweets from the summit:

Actress America Ferrera

Actor Forest Whitaker with Ericsson CEO Hans Vestberg

Secretary of Homeland Security Janet Napolitano talks to ForbesWomen President Moira Forbes (I was so impressed with Moira’s questions.) They talked about cyber security, regulation, and shared responsibility.

I was also captivated by Arturo Sarukhan, the Ambassador of Mexico to the U.S.  He has a very arresting presence. 

For further resources, please visit the website for Grand Challenges, Half the Sky, We Advance U, 10X10, and Connect To Learn. Connect to Learn is a global initiative designed by Hans Vestberg and the inimitable Jeffrey Sachs (below).

All photos taken by me (Aleeka Kay Edwards)

“‘When you are that serious and that creative, and non-trusting on an intimate level, and your art has given you so much, your ability to create becomes your medicine,’ she said. ‘It’s the only thing that’s given you that stability, that joy, that self-esteem. And so you are like, “This part of me no one is going to touch.” When you’re young, that works, because it gets you from A to B. When you get older, when you are trying to have a family and children, it doesn’t work. I think that some artists can be prone to protecting the well that they fetched their inspiration from so well that they are actually protecting malignant parts of themselves, too. You begin to see that something is broken. It’s not just a matter of being the mythological lone wolf; something is broken.’”

I imagine ateliers everywhere are occupied by confused people; people obsessing over their art while avoiding the specter of debt. You sacrifice a lot to be an artist, mostly financial security and sanity. Steven Mcgaughey created this website to  keep a semblance of art in his life while in medical school. He promised himself that he would continue to sketch and doodle everyday. It is seemingly his panacea to keeping art in his life as he struggles with finding creating himself.

In “Gastric Subway” (below), his love of design and his passion for medicine live in perfect comity on the overcrowded web. I’m so happy I stumbled onto his work. It’s very rare you come across something so clever:

Great concert last week by the trumpeter/conguero/flugelhorn player at Blue Note Jazz Club. It was Latin Jazz at its best. I miss the personalities of New Orleans musicians; men who would have probably doffed Mr. Gonzalez’s fedora and used it to fan themselves or to collect the saliva drip from their mouthpieces. I miss that rapture…but the sui generis sound of Gonzalez and his band  is equally as passionate. 

Cerulean sky above me, open water below me, and alacrity within me. My ride on the East River Ferry to Governors Island was the most insouciant adventure I’ve had in months. It was so relaxing. I drifted away from a city of harried business people who were probably scurrying from one office to the other. My feet were shod in sneakers for a 5k race around the island and the sweet tunes from last night’s Radiohead and Caribou concert were still ringing in my ears.

I remained sanguine about my chances of winning the race, even though I never exercise. Never. Still, I felt as though if I really wanted to win I could. That was a delusion. I was at the back of the pack and incapable of overhauling even the oldest of runners. My handsome friend, Daniel Alvarez, remained the cynosure of all eyes on the field when it was announced that he was the second place winner. 

 

We played with my football and then traipsed from one picnic site to another, looking for the post-race celebration. As we sat and joked, in that moment I was completely happy with my life and the people in it. 

It would require less than the fingers of one hand to count the number of poems that make me as teary eyed as this Sarah Williams’ poem. I’ve been engaged by it all week and even when I try to invest my mind into other things or secure a modicum of lightheartedness, nothing that has been tried satisfies. I can’t stop picturing coronas of stars and headstones.

The Old Astronomer To His Pupil

Reach me down my Tycho Brahe, — I would know him when we meet,
When I share my later science, sitting humbly at his feet;
He may know the law of all things, yet be ignorant of how
We are working to completion, working on from then till now.

Pray, remember, that I leave you all my theory complete,
Lacking only certain data, for your adding as is meet;
And remember, men will scorn it, ’tis original and true,
And the obloquy of newness may fall bitterly on you.

But, my pupil, as my pupil you have learnt the worth of scorn;
You have laughed with me at pity, we have joyed to be forlorn;
What, for us, are all distractions of men’s fellowship and smiles?
What, for us, the goddess Pleasure, with her meretricious wiles?

You may tell that German college that their honour comes too late.
But they must not waste repentance on the grizzly savant’s fate;
Though my soul may set in darkness, it will rise in perfect light;
I have loved the stars too truly to be fearful of the night.

What, my boy, you are not weeping? You should save your eyes for sight;
You will need them, mine observer, yet for many another night.
I leave none but you, my pupil, unto whom my plans are known.
You “have none but me,” you murmur, and I “leave you quite alone”?

Well then, kiss me, — since my mother left her blessing on my brow,
There has been a something wanting in my nature until now;
I can dimly comprehend it, — that I might have been more kind,
Might have cherished you more wisely, as the one I leave behind.

I “have never failed in kindness”? No, we lived too high for strife, —
Calmest coldness was the error which has crept into our life;
But your spirit is untainted, I can dedicate you still
To the service of our science: you will further it? you will!

There are certain calculations I should like to make with you,
To be sure that your deductions will be logical and true;
And remember, “Patience, Patience,” is the watchword of a sage,
Not to-day nor yet to-morrow can complete a perfect age.

I have sworn, like Tycho Brahe, that a greater man may reap;
But if none should do my reaping, ’twill disturb me in my sleep.
So be careful and be faithful, though, like me, you leave no name;
See, my boy, that nothing turn you to the mere pursuit of fame.

I must say Good-bye, my pupil, for I cannot longer speak;
Draw the curtain back for Venus, ere my vision grows too weak:
It is strange the pearly planet should look red as fiery Mars, —
God will mercifully guide me on my way amongst the stars.

I’d be remiss if I didn’t now include one of my own poems. I have a book of poems that I wrote. At one point I wanted to print them and distribute pamphlets to the homeless. 

Vents, tirades, release

Explosions and eruptions
Corrugated panels flatten at the roar of childlike tantrums
Spreadsheets of wishful thinking
Excel
Spitting out rants and gargling thoughts
In order to lather conditions
Start pulling strands of fiber from drains that suck effervescence
Fall forward into flames of the unheard
Marking darkness with release


(Source: realitytvgifs)

Though the bar crowds are no more enjoyable, I’ve grown sufficiently inured to it. I prefer intimate gatherings with common people who speak with forethought and lay their tables with an amazing array of homemade viand. Nonetheless, I went to two bars yesterday…two more than I usually go to on the weekends. It was a big day for UEFA futbol, so I whiled away the hours watching Chelsea win the Champions League on a mute tv screen at Woodworks in Brooklyn. 

Before I set off for my second outing, I dropped by my dear friend’s apartment for a moment of normalcy. Spending time with Faizah Malik is always enjoyable, especially yesterday when she introduced me to my new favorite documentary- Helvetica. I highly recommend this Gary Hustwit film about typeface and messaging. Most of the fonts used in signage, magazines, and even this blog are in Helvetica.

These are some of my favorite quotes from the movie:

* “It’s not about the black of the font, it’s about the white space between the letters. Much like music, which is not about the notes but the timing created by the space between the notes.”

* “Helvetica is everywhere. It’s a socialist font.”

* “Helvetica has a push and pull feeling. It makes you feel as if all your problems are contained, or maybe don’t exist at all.”

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